Zak Group designs new magazine for pioneering art and music platform Fact

The development process started with our design team creating wire-frame mock-ups of a potential site layout, once this layout was agreed and signed off by Waylynn Wolfe we set our developers to work on building basics of the site. At the same time our designers were able to focus on the initial aesthetic drafts, which interpreted their brief and drew inspiration from the mood boards provided. It became apparent from our conversations that a compromise had to be reached to best use their budget, and that the brand aesthetic was their highest priority. The brief already required the site to have a WordPress content management system. So after brainstorming with our developers, it was now an obvious choice to integrate a WordPress e-commerce solution over a much more comprehensive custom alternative.

The magazine’s elastic visual language responds to a new wave of audio and visual art practices while its typographic systems and rule-based layouts create a collision between text and imagery. The London-based design agency Zak Group has art directed the first issue of the relaunched Fact magazine, a leading voice in the global conversation on electronic music since the early 2000s. Zak Group partnered with Fact to refocus its identity and amplify its message through a new bi-annual print magazine. The Fall/Winter 2020 issue marks an editorial move towards the intersection of audio and visual art forms, featuring four cover stories by Ryoji Ikeda, Kelsey Lu, Pan Daijing and Kahlil Joseph. To mark a unique brand collaboration with Formula 1® and launch their 2019 season, Virgin EMI’s iconic duo, The Chemical Brothers, have launched the fastest remix of all time. The three second track, WGTT15000BPM F1 NEEEUM MIX, matches BPM to RPM of an F1 car and will become the sport’s new sonic identity, whilst the full track ‘We’ve Got To Try’, accompanied by F1 inspired music video, is sound of the 2019 season.

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If You click on a third party link, You will be directed to that third party’s site. By using the Service, You agree to the collection and use of information in accordance with this Privacy Policy. This Privacy Policy describes Our policies and procedures on the collection, use and disclosure of Your information when You use the Service and tells You about Your privacy rights and how the law protects pancakemeow.com You. Over the past two decades, Fact has established itself as a leading voice in the electronic music community. Originally founded in 2003 as an underground magazine Fact later became an influential online platform. To further reflect a sport in which every second counts, the remix is accompanied by a film that shows a dog behind the wheel of an F1 car and commandeering a rocket into space.

My canvas arrived and the image printed on it is not central, it’s right over by the right of the canvas and some of the text is wrapped around the edge of the canvas. There is also a website url at the bottom of the canvas on full display, I have checked the sellers photos, granted it was on one photo, but not in all of the photos. The service by the seller was always cordial, but I certainly wasn’t updated enough in two months, only when I pushed for a response I got one. We have no control over and assume no responsibility for the content, privacy policies or practices of any third party sites or services. Has no control over, and assumes no responsibility for, the content, privacy policies, or practices of any third party web sites or services.

  • The logo connects the futurist origins of pioneering audio technology from the 1960s and 70s with contemporary digital culture.
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  • The brief already required the site to have a WordPress content management system.
  • “It’s an important step to now have a date for reopening live performances with social distancing in indoor venues, but there is still a long road ahead for musicians, performers and the sector as a whole.
  • We would like the latest product/welcome image/visual to always be listed first, which will be shaped around each new product bundle – consisting of a tech enabled long sleeve t-shirt, cassette tape, and digital download.

She has appeared on the cover of publications like Teen Vogue and Galore, while Red Bull produced a documentary about Kodie’s rise. “LOUDD have been great to work with. They are exceptionally good at thinking out the box. Providing creative solutions to challenges with awesome agility and design.” We proposed a clean look for the site with a monochromatic colour palette, and just a few custom built elements to give the site a unique feel. A custom menu icon with an organic look for both open and closed states, and accompanying title decoration in the same style – mirroring the raw vibe of the Waylynn Wolfe wordmark.

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Devicemeans any device that can access the Service such as a computer, a cellphone or a digital tablet. Accountmeans a unique account created for You to access our Service or parts of our Service. If you wish to purchase any product or service made available through the Service (“Purchase”), you may be asked to supply certain information relevant to your Purchase including, without limitation. The natural chemistry between Brian and Tariq comes through in the ease with which the artist and listener move through this album. Moreover, it’s an album untethered to any genre, era or trend — uncategorizeable and timeless.

Indonesian rockers Feast skewer hypebeast culture in music video for Cicilan 12 Bulan Iklan

The finished site includes all of our proposed design elements, including a custom footer following the style of the other elements. As a finishing touch, we used the title decoration in the navigation menu too, showing the user what page they are currently viewing. Combining music, fashion and technology to produce exclusive cross-media releases. Delivering passionate and comprehensive entertainment coverage to millions of users world-wide each month. 40,000+ articles posted by thousands of contributors spanning the entire cultural spectrum. The darkness is only one string to what Smith has in store though, morphing into the ’80s with some of the biggest love songs of his generation like Just Like Heaven or Friday I’m In Love.